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How to Strum a Guitar

One of the first things any aspiring guitarist needs to learn is how to strum their instrument.

Before You Begin

Your guitar needs to be strung and tuned correctly.  To achieve this, either buy a tuner from the music store, or download an app to help you.

Strumming Guitar
Strumming Guitar

Getting Started With Strumming

Strumming a guitar is about rhythm and consistency.  Before you pick up the guitar, simply practice the playing action and movements of your arm and wrist.  If you struggle to pick this up, go out and buy a metronome to help you with the timing, or download a free metronome app.

Once you are happy with the timing and your technique, it is time to get the guitar in your hand and start practicing for real.

Take some time to get used to the rhythm again.  More importantly, you need to ensure that the way you play guitar means you play each string evenly when you strum.  If you hit the top string and then feebly strum over the others, you will get an uneven sound.  Aim should be for a strong sound at all times.

Although different songs and styles of music call for a variety of strumming styles, we suggest you start with a full downstroke followed by an upstroke at the same velocity and volume.

Moving On

As you get used to strumming your guitar and have the rhythm down to a tee, start practicing the upstroke without actually playing any sound. A subtle movement of the wrist and fingers is usually enough to master it.

Introducing Chords

The best approach is to start with something relatively easy that utilizes a natural finger position on the fret board, such as G major.

Go back to when you first introduced the guitar into this practice, and do the same thing again, continuously playing up and down at a continuous rhythm.  Start by playing the downstrokes only, getting quicker and quicker until you are confidently playing at a steady rhythm.

Introduce another chord and start moving around the fret board.  C major is a good chord to use, and is easy to get to from G major.

As soon as you are familiar with both chords, begin to alternate between the two.

Building Your Confidence

If you have mastered the metronome-like rhythm in your playing hand, then moving from one chord to the next mid note should start to come naturally to you.  However, doing it at speed is difficult, so as with the standard strumming, it is best to start slowly and gradually build up to the pace you want to play at.

Advanced Strumming

Eventually you will start to introduce more chords and perhaps even start picking individual strings as you strum.  This is a more advanced style of guitar playing, so do not be annoyed with yourself if you struggle to pick it up right away.

As you get started with strumming, it is worth remembering that music is an art, and it will take time to master.

Image Source: K Thuggg

How to String an Acoustic Guitar

Why a Guitar Needs Stringing

There are several reasons an acoustic guitar might need restringing.  If one string snaps, then it is advisable to replace all of them, while intensive use of a guitar may also mean that the instrument needs to be restrung.

Acoustic Guitar
Acoustic Guitar

Restringing Your Guitar

Once you have decided that your guitar needs restringing, it is time to begin.  What should you do?

Buying New Strings

Buy strings from a specialist music store.  This way, you will be able to have 100% confidence in what you’re buying.

Removing Existing Strings

Ensure you have plenty of space, and lay your guitar on a flat, clean surface.

Starting with the bottom string (the low E), unwind the turning tuner to loosen the string and eventually remove it from the hole in the tuning peg completely.

It is up to you whether you swap one string at a time, or completely remove them before replacing.  If you opt for the latter so that you can polish up your fret board, for example, be careful of damaging the bridge or neck of the guitar, and look to keep both as still as possible.

Once you can see the end of the string, pull it from the hole in the tuner.  The final part is to remove the bridge pin that will enable you to remove the other end of the string.  Using bridge pin pullers from a music store will ensure you don’t damage either the pin or the guitar.

Having removed the bridge pin, pull out the string and throw it away.  If you’re taking them all out at once, then repeat before moving on.  If not, continue.

Maintenance Work

Polish and clean as you go, remove any dust or debris from around the bridge as well as the turning tuner before replacing each string.  Again, use specialist guitar polish and a cloth.

Replacing the Strings

With guitar shiny and new, you can start placing your new strings onto your new looking guitar.  If you’ve removed them all at once, then begin with the sixth string once more.  Having opened the packet and unwrapped the first string, you are now looking for a small ball on one end of the string.

Place this end a few inches through the hole you created when you removing the bridge pin.  Start to replace the bridge pin, and tighten the string until you feel the ball falling into place, at which point you can push the bridge pin all the way in.

Take the other end of your string to the top of the guitar and place it through the hole in the tuning peg.  Continue to feed the string through the hole before starting to tighten.

Tuning Your Guitar

Once your strings are all fitted, it is time to tune them.  Guitar fully tuned, you can then cut down your guitar strings, unless you are going for the ‘busker look’ and are happy to have them flaying around while you play.  Just be sure to leave enough string for you to retune to a deeper tone should you wish to do so.

Image Source: TschiAe

How to Practice Guitar

Myths of Guitar Practice
Structured practice is pointless, it takes away the fun of guitar playing and stifles creativity
Practice doesn’t even work, I learn more by simply picking up my instrument and doing whatever I please
Doing the same thing every day won’t help be learn anything

Guitar Practice
Guitar Practice

Debunking the Myths
1. If you have a negative attitude towards structured practice, you won’t benefit from it, because no matter what you learn, the negative feelings dominate your thinking and are telling you you’re wasting time
2. A good, structured practice session will actually make you more creative, as you will learn and become confident using a new skill or technique.
3. If you have an objective, such as learning how to play Blues styles, then your practice will be fun and have a purpose
4. Ultimately, what and how long you practice for is down to you, so if it does get boring or tiresome, change it up a little!

Your Personalized Practice Schedule

Look to the Future
Start at the end of your practicing regime, and ask yourself what the ultimate, long-term aim is for you as a guitarist. Think in terms of your own style and about what you can do with the instrument, “I want to be the next Slash,” sounds great, but is a little ambiguous to work with in terms of becoming better yourself.
From here, put together the pieces and come up with a step-by-step process that will take you to your aim.

Strengths vs. Weaknesses
While you should put more time into honing your weaknesses, failure to practice your strengths will eventually see your standard of playing drop. One way to look at your strengths is to imagine yourself becoming famous; these strengths will be your trademark and inspire players to pick up a guitar themselves. Work on your weaknesses, but do not forget to pay homage to what you’re good at; it will help your confidence, too.

Be Realistic
If you can only practice guitar for an hour a day, then work with it. The quality over quantity argument definitely comes into the equation here. If your one hour a day is quality, dedicated practice where you can focus on what you need to, this is much better than stolen chunks of ten minutes here and there throughout the day.
Do not commit yourself to three hours of guitar practice each day if you are unable to do so.

Build in Application Time and Free Time
A lot of guitar practice sessions work like this: Guitarist practices new technique, approaches end of session, does their own thing, starts again next week from same point in respect of new technique.
Instead, make sure you give yourself the time in your practice session to apply what you have been working on. Keep the free time at the end of your session to do your own thing, but ensure that application comes first.

Keep Your Sessions Fresh
Keep sessions fresh by having a variety of different things to practice and work on.
If you’re not working to a regular pattern, the chances of you getting bored and demotivated are far less.

Image Source: doobybrain

An Interview with Denny Ilett

Hi, my name is Denny Ilett and I’m a guitar player. I’ve been a professional for twenty seven years now. In those twenty seven years I’ve managed to be lucky enough to work in a lot of different styles and I think it’s very important for any guitar player to not confine themselves to one style of music. I like to play blues; I like to play jazz; I like to play rock; I like to play funk; I like to play anything I can put my hand to and head to. I like to have a go at.

Denny Ilett
Denny Ilett

I’ve done a lot of touring all over the world, I’ve toured all over Europe; Australia; the States; the Middle East. Playing my guitar in different bands; I’m what they call a freelance player. I’ll take what comes over the phone, although I do have set people as well that I work with. For fifteen years now I’ve worked with a wonderful singer from New Orleans called Lillian Boutté. She’s the official musical ambassador for New Orleans; a title only previously held by Louis Armstrong so it just goes to show you how amazing she is. I always work with the great Pee Wee Ellis who was James Brown’s musical director for a few years and was also Van Morrison. I learned an awful lot from him about how to keep it simple and keep it funky. Some of the other things I do; I like to play a sort of gypsy swing style; a bit like Django Reinhardt in a band I have called Mosco Drug Club. We did a lot of touring in the UK and some on the continent too and also with my good friend James Morton’s band Pork Chop which features Ian Mathews; the great drummer from Casabean.

One of my favorite things to do is play with other guitar players. I find it particularly inspiring, particularly if they are better than I am or I think they are better than me, so I’ve been very lucky to play with great Jazz players like Jim Mullen or John Etheridge; Martin Taylor and recently from New York, Howard Alden. I got to play with him, it was a wonderful experience.

I come from something of a musical family, my father is trumpet player. I started off on the trumpet when I was about 8 years old and when I got to 16 I heard a strange noise coming from my brother’s bedroom and it was the first notes of Foxy Lady by Jimi Hendrix and suddenly this completely blew me away and I had to get a guitar and that’s what I did. I put the trumpet in the case and it hasn’t come out since.

I hope that when you look at my lessons I’m able to give you something you can take and run with yourself to create your own ideas just like I did by watching players when I was younger, listening to players when I was younger. The most important thing is listening. If you have the ideas in your head you can play them. If you don’t have the ideas in your head you can’t play them, it’s as simple as that.

An Interview with Micky Moody from Whitesnake

Hi, this is Micky Moody, I’m a guitar player. I have been kicking around for a few years now. I started playing as a child really when I was 12. When I was 16 I left home and went to London with my friend Paul Rodgers and got stuck into the music business, of course in them days there was a hell of a lot of opportunities but I was very dedicated and I think you have to be if you want to make it in this business.

Micky Moody
Micky Moody

I joined a band called Tramline and we made a couple of albums for Island Records. After that I joined a soul band called Lucas and the Mike Cotton Sound. After that I played for a while with Zoot Money and then was asked to join Juicy Lucy which was really my introduction to the bad old world of rock and roll really.

Anyway, after that I formed a band with a couple of friends called Snafu. I did session work for a few years before teaming up with an old friend of mine from the northeast, Dave Coverdale who I’ve known since late 60’s and eventually it evolved into Whitesnake of which I was the original member.

Throughout all of that, though I was primarily a rock guitarist, blues guitarist, I always had a love for acoustic guitar, but I played steel string acoustic as well, with emphasis on Bert Lams and of course the Mississippi blues players like Robert Johnson. But I always had a love of the acoustic guitar and especially open tunings which I found very, very interesting.

I can honestly say I’ve been in some strange sessions with music I never thought I’d play. Sometimes it was worrying and other times it was pure enjoyment, but I think that’s part of your life as a musician, you have to be prepared.

On a personal level, I think the music that stayed with me throughout my career is probably rock, blues influenced rock and it’s a music I really feel. But that’s the style that I like, it’s a very expressive style, it suits me, it suits my heart, suits my soul and I think at the end of the day, all that, the only advice I can offer to young aspiring musicians is just be yourself.

I think it’s time now to pass on some of my knowledge that I’ve picked up along the way and I’ve enjoyed performing these tutorials. It’s been educational to me as well but I hope that I can pass on to you some of my experience, some of my playing, some of my feeling and hope that it’ll get into you and that it’ll influence you and inspire you to greater heights.