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How to Make Music

If you’re not skilled at using an instrument but are a lover of music and want to experiment with creating your own sounds, you’ll be pleased to know it’s easy to do so. All you need is a computer with a fast processing unit, 1GB of RAM or more, and you’re ready to get started.

Of course, if you are a guitarist or play another instrument, you can also use these methods to record your sounds before burning them onto CD or uploading them to a digital platform.

music notes

Added Equipment

You’ll need a digital audio workstation (DAW) installed on your computer. If you’re a Mac user, then you’ll already have the useful ‘Garage Band’ DAW installed, which is more than good enough to be getting started with. There is a wide variety of DAW software available, including Logic and Sonar. Some examples are only available for certain systems, so be sure to check before you buy.

Propellerhead Reason is a DAW you should look at if you’re considering making electronic music.

You’ll also need to buy an audio interface; it is worth buying this first, as you’ll often get a lite version of a DAW so can decide whether it’s the right one for you before upgrading.

Recording

If you’re making a recording, simply plug your microphone and instrument into your system and you’re ready to go. If you’re using an instrument, you might consider using amplifier emulation software so you get the best possible effects.

You’ll probably be recording at home if you’re using a computer, so do all you can to replicate studio conditions, although you will be able to remove any background noise later.

Adding DAW Effects

Once you’ve made your recording, the fun really begins. Check out the following tools that will be included with your DAW.

  • Synthesisers – The best way to learn how to use synth sounds in your music is to experiment and come up with your own beats. So you don’t confuse yourself, start working with oscillating sounds and filters first.
  • Dynamics, or your compression, limiting, and maximising effects, are great for adding something extra to your music. If you’re going to be performing your recording in a live situation at some point, be sure not to alter it too much, or it’ll sound nothing like it when you play it at a gig!
  • Reverb and delay effects can also be added to your recording, while phasers, distortions, and other effects should be experimented with. Once again, if you’re playing around with an instrumental recording, consider how it will sound live when people are familiar with the recorded track.

Mixing Your Track

The final step is to mix your track. Again, the best way to learn here is to play around with everything and get to know your DAW inside out. You’ll already know the arrangement of your song, so putting it all together should be easy. What we will say is that you should try to keep as much of the sound as possible off centre, other than the central components of a track such as the drum, lead guitar, and vocal. If you’re making electronic music, this will give you a great opportunity to create some brilliant sounds.

Image Source: Brandon Giesbrecht

The History of Broadway Musicals

The history of Broadway itself goes back to the middle of the 18th century, although musicals wouldn’t be born until 100 years later, with The Elves being widely considered Broadway’s first long run musical in 1857.

However, The Elves didn’t have the identity of a traditional musical today, so the official title goes to The Black Crook, which premiered in 1866 and ran for nearly 500 performances despite being over five and a half hours in length.

Broadway Posters
Broadway Posters

Musical Comedy

While there were various types of musical developing and taking place in New York at the end of the 1800s, musical comedy was by far the most popular genre, both with audiences and writers who were looking for their best opportunity to breakthrough and become big.

A Trip to Chinatown and A Trip to Coontown were among the biggest hits of the 1890s, the former holding the long run record at over 600 performances for nearly 30 years. Many of the hit songs featured in these musical comedies were written by the leading songwriters and publishers of the day in the world-famous Tin Pan Alley.

20th Century; Competing with Cinema

Broadway continued to grow in the early part of the 20th century, and took on a new feeling of glitz and glamour as theatres began using brightly lit signs and facades, leading to it becoming known as ‘The Great White Way.’

Despite the continued popularity of Broadway musicals, the emergence of motion pictures during the 1920s and 1930s proved challenging, while the Great Depression would also hit the industry hard. Broadway began to recover during the Second World War; during the war years, a number of wartime dramas were performed at numerous theatres.

The Golden Age of Broadway & Decline

Following the release of Oklahoma! in 1943, Broadway had cemented a reputation for producing songs that instantly became both local and nationwide hits. You could almost guarantee that the latest musical would be responsible for radio station playlists for years after their release.

The 1950s was Broadway’s most successful era, and many of the elements of 50s musical theatre production remains in place today. The following decade saw a decline in the popularity of Broadway, however, with theatres closing and the whole area becoming run down. Broadway wouldn’t recover from this until well into the 1980s.

Broadway Today

Since the industry picked back up in the 80s, there has been no looking back. Part of the success of Broadway is that seeing a show is considered a ‘must do’ activity during a trip to New York, a city which hosts almost 50million tourists every year.

Today, the longest running Broadway show is The Phantom of the Opera, which opened on January 26, 1988, and is still running at the Majestic Theatre today.

Image Source: Broadway Tour

How to Write Song Lyrics

Whether you’re a songwriter who then sells your lyrics onto musicians or a musician looking to put words to your music, writing song lyrics is an important process.

Whatever your reason for writing a song, you’re likely to find yourself trying to capture a vast range of emotions and communicate a number of messages.

Writing
Writing

Remember This

A song lyric doesn’t always have to tell a story. Many a great song has been a seemingly random collection of words just put together, albeit in a way that allows a song to be sung with rhythm and melody.

You can’t just sit down and write a song, either. Inspiration will come to you at the most unusual of times, be that on a train journey or while you’re awake in the middle of the night. Ensure you’re always ready to record your thoughts, whatever the time of day, whatever you’re doing.

Don’t Have Just One Go

When you have written a lyric, you can go back, review it, change it, throw it away, add to it, or do whatever you want. Many people wonder how it takes established musicians months to write the lyrics to a new album. The answer is because not everyone can just sit down and switch on a torrent of inspiration or get it right first time. In fact, there are few who can.

Apply a Structure

You don’t need to worry too much about rhyming patterns if you don’t want to, but you should have some sort of structure to your song, particularly in terms of verse length. Verses are usually two, four, or eight lines long, although the last line or two lines in longer verses might move away from the rest of the verse as an introduction to the bridge or chorus sections.

If you can get the structure of your song thought out before you start writing, then you’ll find it easier to clarify your thoughts and organize your lyrics effectively.

Stick to One Topic

If you’re writing about love, then write about love and only love. Don’t start bringing in other topics as it will be difficult to capture the mood of your writing and you’ll struggle to bring everything together. If you find yourself going off on a tangent, then use it as the inspiration for another song.

Read Back and Be Honest

Once you’ve completed a draft of a song, read it through in your head and be honest about whether it works. If you’re a musician, begin to think about how it is going to sound when put to music, and perhaps even start coming up with some compositions. The only time you’ll have a problem is if you’re playing an acoustic guitar, for example, but have written aggressive lyrics meant for another genre, although you should be able to adapt your style to fit.

If it doesn’t work, you can always sell them to a band that can use them!

Image Source: tonyhall

The History of Salsa Music

Like hip-hop, salsa music emerged from New York City during the mid-to-late 1970s. However, the genre was actually popular for 30 years prior to that, just without the term salsa being applied to it. The Cuban community in the city, particularly Afro-Cubans, were mainly responsible for its popularity, with mambo bands playing regularly at venues across the city in the 1940s and 1950s.

Salsa Band
Salsa Band

At this time, there were strong links between the musical communities of the United States and Cuba, but the partial and then near total US embargo against Cuba, in 1960 and 1962 respectively, severed these links and prevented the evolution of music in Cuba from reaching and influencing the mainland.

Salsa in the 70s

The 70s was when the term salsa was first used, and when the style became popular across the Americas. From New York, salsa travelled quickly along the east and south coasts, before catching on in Mexico, the northernmost South American countries, and several of the Caribbean islands.

Innovation in salsa was popular throughout the 70s; Willie Colón, for example, introduced new instruments from Puerto Rico and experimented with both rock and jazz styles in his music, while native sounds from Panama and Brazil would also feature prominently.

Celia Cruz was already a massive star in Cuba and achieved the same status in the US, becoming known as ‘The Queen of Salsa’ and becoming a leading player not just in salsa, but also on the fast evolving general music scene.

The 1980s: When Salsa Goes Global

Having become popular throughout the Americas in the 70s, the 1980s saw salsa migrate to Europe, Africa, and Japan, as well as the southernmost Latin American nations. As a result, salsa started to become more diversified as various influences took hold and the genre was interpreted and developed in a variety of ways.

African and Cuban salsa would develop unique styles and become genres all on their own, although Cuban music was already popular in Africa from the mid-20th century onwards. Elsewhere around the world, other genres to be evolving at the time, including hip-hop, R&B, and soul, would start to influence salsa as well as borrow ideas from this genre, creating blurred lines between these styles that can still be seen in some artists work today.

1990s Salsa to Today

During the late 80s, the meteoric rise of hip-hop prevented salsa from becoming a mainstream genre. In fact, salsa artists struggled for any type of publicity or success at this time, even in the Americas where it remained widely appreciated.

This changed in the mid-90s, however, when acclaimed producer and pianist Sergio George moved away from an exclusive salsa approach and began to mix salsa with popular music to create successful commercial tracks. Many of George’s ideas were seen as controversial and being ‘disloyal’ to the tradition of salsa, although many recognised them as necessary steps to raise awareness of the genre and make salsa appreciated globally once more.

Today, salsa continues to evolve, with ‘Latin house’ music being popular in Central and South America, while the leading salsa artists continue to enjoy some mainstream success across the Americas.

Image Source: klem@s

What are the Copyright Laws for Music

Almost since the advent of the internet, music copyright laws have been a controversial source of debate. In several high-profile cases, music copyright laws have seen musicians, record labels, website owners, and individual consumers all in front of a court for one reason or another.

Copyright
Copyright

Why Copyright Laws Exist

Copyright laws exist around music for the same reason they do around any other piece of intellectual property, whether written or something on an audio visual platform. The purpose of music copyright laws is to protect the creator of a piece of work and ensure they are paid or credited when something is copied or reproduced in part or in full.

Differences with Music Copyright Laws

The main differences in music copyright laws relate to the terminology used at various times, and particularly in regards to how compilations of music are dealt with. Compilations are somewhat unique to the music industry; you don’t often find a DVD with a compilation of films from different actors and studios, nor a compilation book with novels from different publishing houses.

With music compilations, a track remains the intellectual property of the original artist or record label, and has been used with permission. Details of this will usually feature in the inlay booklet of a compilation CD, which is often bigger than what you’d find in an album from an individual artist as a result.

How Long Does Copyright Last?

Previously, copyright laws protected musicians for 50 years. This means that any time a track is used or reproduced they’re entitled to be credited as the creator of the work and receive a ‘royalty’ payment. In 2011, this period was extended by a European Union directive to 70 years.

While this was seen as a victory for artists who were popular in the mid-20th century and would be liable to lose out on royalties, their protection pales in comparison to that enjoyed by composers; their estates retain copyright protection until 70 years after the composer has died!

Copyright Confusion

Music law and copyright is still something that confuses many, as there are a number of things, such as copying a back-up of a CD or saving it on a hard drive, which are legal. At the same time, the rise of digital rights management is expected to further blur the lines when it comes to music copyright law, and prevent people from reproducing what they own even under current ‘fair use’ guidelines.

Image Source: MikeBlogs